CV

Mario Correa
Born in 1976, Brawley, CA, USA
Lives in Los Angeles, CA

Education
1999   BFA, Chapman University, Orange, CA
2001   MFA, California Institute of the Arts, Valencia, CA

Solo Exhibitions
2012   The Muslins, Redling Fine Art, Los Angeles, CA
2010   Mas o Menos, Redling Fine Art, Los Angeles, CA
2007   Ducks and Drakes, Redling Fine Art, Los Angeles, CA
2003   The Sweet Science, Acuna-Hansen Gallery, Los Angeles, CA
2002   Frontside, Acuna-Hansen Gallery, Los Angeles, CA

Group Exhibitions and Projects

2017
Z/N Chair installation, n/naka restaurant, Los Angeles, CA
Las Mañanitas, permanent installation, Hauser Wirth & Schimmel, Los Angeles, CA
Fuck White Art, Real Print for Rakish Light Press

2016
X-TRA Editions: Bookmark by Mario Correa, X-TRA Contemporary Art Quarterly

2015
Bookends, collaboration with Zen Sekizawa, for You and I See Why, Zen Sekizawa, Hesse Presse

2013
Sunday Collapse, Organized by Olga Koumoundouros, 6526 Pollard Street, Los Angeles, CA
PAGE 179, ARTFORUM, SEPTEMBER 2013, Brennan & Griffin, New York, NY

2012
Sunday @ 4. Todd Madigan Gallery, California State University, Bakersfield, CA
Venice Beach Biennial, Ocean Front Walk, Los Angeles, CA
Woodblock Print Installation, Ooga Booga, Los Angeles, CA

2011
T-Shirt Revival Night with Mario Correa, Outpost for Contemporary Art, Los Angeles, CA

2009
Tables & Chairs, Curated by Jedediah Caesar and Shana Lutker, D’Amelio Terras New York, NY
Ulli and Lucrecia’s Lustige Gruppenausstellung mit Party, Fifty Thirty Three, Los Angeles, CA
Joe Bradley, Mario Correa, Allison Miller, and Alex OlsonRedling Fine Art, Los Angeles, CA
Extra Extra,China Art Objects Galleries, Los Angeles, CA
1999, China Art Objects Galleries, Los Angeles, CA

2008
A Group Show with A. Butzer, Los Angeles, CA
Please Stay Out, We’re Open, Redling Fine Art, Los Angeles, CA

2007
ab strac tion, Curated by Nancy Meyer, Michael Kohn Gallery, Los Angeles, CA
Paper Bombs, Organized by Bart Exposito, Jack Hanley Gallery, Los Angeles, CA

2005
Fearless Vampire Killers With A Forward By The Good Doctor, Casey Kaplan, New York, NY

2004
Wake up and Apologize, Hayworth Gallery, Los Angeles, CA
Chinatown Collective, Preuss Press, Los Angeles, CA

2003
Fresh Paint, Phoenix Art Museum, Phoenix, AZ
Small Work Margo Victor Presents, Los Angeles, CA

2001
Ars Moralis – Timeo Danaos et Ferentes, A project by Bea Schlingelhoff Galerie für Gegenwartskunst Barbara Claassen-Schmal, Bremen, Germany

Bibliography
2013
Geoff Tuck, The Reticence of the Artist / The Anticipation of the Questioner, notesonlooking.com, February 6, 2013

2012
Christopher Knight, “Mario Correa’s ‘The Muslins’ More Than Meets the Eye,” Los Angeles Times, December 14, 2012

2009
Douglas, Sarah, “Summer in the City: Group Shows,” Artinfo, July 24, 2009

2008
David Scott, The Art and Aesthetics of Boxing, University of Nebraska Press

2007
Peter Frank, “Art Pick: Paper Bombs,” LA Weekly, April 18, 2007

2004
David Pagel, “Put it in Context, Frame Discussion,” Los Angeles Times, February 13, 2004
Cakewalk Magazine, contributing artist, Issue 06, 2004

2003
Gregory Amenoff, The Joan Mitchell Foundation 2000 & 2001 MFA Grant Recipients, exhibition catalogue, The Joan Mitchell Foundation, 2003
Brady Roberts, “Art and Objecthood Redux: Fresh Painting in the Western U.S.,” Fresh Paint, exhibition catalogue, 2003
Christopher Knight, “Visual Theatrics of Boxing Rings,” Los Angeles Times, May 16, 2003
Tom McGovern, “Reviews: Mario Correa at Acuna-Hansen Gallery,” Artweek, June 2003

2002
Samuel Manila, “Fish Eye,” NYARTS magazine, nyartsmagazine.com, March 2002
Arkitip Magazine, contributing artist, Issue 00015, summer 2002

2001
Lisa Phillips, Curator, “New American Paintings: M.F.A. 2001,” The New Museum, New York, NY


Collections
The Hammer Museum, Los Angeles

Awards
2001   MFA Award in the Visual Arts, The Joan Mitchell Foundation